With grace and style, noted Woolf critic and biographer Julia Briggs reconsiders the author's work from imaginative and unexpected angles, spanning her early fiction experiments to her late short story "The Symbol" and from the most to the least familiar of her novels, such as the neglected Night and Day.
Briggs investigates links between Woolf and writers like Byron and Shakespeare, her fascination with transitional places and moments, her ambivalent attitudes toward "Englishness" and censorship, and her methods of writing and revision...

Blending fact with fiction and written in diary form, this unique biography of Shakespeare encapsulates his life like never before—from his views on daily events to vivid impressions of the Elizabethan era and his role within such a world. Delightfully whimsical, this distinctive life story provides answers to questions such as What was Shakespeare thinking while he wrote Hamlet? What did he and Ben Jonson talk about when they were having a drink together? and What might Shakespeare have said to the formidable Elizabeth I? Incorporating fragments of lines and phrases from The Bard’s plays and poems along with fascinating endnotes, this portrait will seize readers with its fresh, offbeat approach to the man and his work.

This revised edition of Shakespeare A to Z: An Essential Guide to His Life and Work (1990), also written by Boyce, has more than 3,000 entries. Like the earlier work, it covers all aspects of Shakespeare and his writings. In place of a single alphabetical arrangement, however, readers will find content organized into several sections. The new arrangement puts Shakespeare's works at center stage and casts the related topics in a supporting role.

A Concise Companion to Shakespeare and the Text introduces the early editions, editing practices, and publishing history of Shakespeare’s plays and poems, and examines their influence on bibliographic studies as a whole.

A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies. Essays by major scholars, teachers, and professional theatre makers consider the many sites at which Shakespearean drama is performed: in print, in the classroom, in the theatre, in film, on television and video, in multimedia and digital forms, and as part of a globalized and intercultural performance economy.