The Story of a Murderer is a 1985 literary historical cross-genre novel (originally published in German as Das Parfum) by German writer Patrick Suskind. The novel explores the sense of scent, and its relationship with the emotional meaning that scents may carry. Above all this is a story of identity, communication and the morality of the human spirit. In 2006 it was turned into a feature film by the same name directed by Tom Tykwer and starring Ben Whishaw, Dustin Hoffman and Alan Rickman. Read by Sean Barratt.
Added by: Kahena | Karma: 11526.37 | Fiction literature | 8 January 2012
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The Epic of Gilgamesh - An English Verison with an Introduction
Gilgamesh, King of Uruk, and his companion Enkidu are the only heroes to have survived from the ancient literature of Babylon, immortalized in this epic poem that dates back to the 3rd millennium BC. Together they journey to the Spring of Youth, defeat the Bull of Heaven and slay the monster Humbaba. When Enkidu dies, Gilgamesh's grief and fear of death are such that they lead him to undertake a quest for eternal life. A timeless tale of morality, tragedy and pure adventure, "The Epic of Gilgamesh" is a landmark literary exploration of man's search for immortality.
Inspired by Howard Gruber’s Evolving Systems Approach, these studies explore creativity in several domains. The idea that the creative person embodies a system of loosely coupled sub-systems – knowledge, purpose, and affect that work together, is viewed here in different chapters that explore this concept. These include autobiographies of incarcerated youth, curricula for moral and civic responsibility, changing attitudes of readers to text (romance novels), as well as case studies of highly creative individuals, such as George Bernard Shaw. Gruber’s approach provides concepts as well as methodological tools which the authors apply to diverse creative processes.
The Claim of Reason - Wittgenstein, Skepticism, Morality and Tragedy
This handsome new edition of Stanley Cavell's landmark text, first published 20 years ago, provides a new preface that discusses the reception and influence of his work, which occupies a unique niche between philosophy and literary studies.
