English Translation and Classical Reception is the first genuine cross-disciplinary study bringing English literary history to bear on questions about the reception of classical literary texts, and vice versa. The text draws on the author’s exhaustive knowledge of the subject from the early Renaissance to the present.

Be It Ever So Humble: Poverty, Fiction, and the Invention of the Middle-Class Home

Before the rise of private homes as we now understand them, the realm of personal, private, and local relations in England was the parish, which was also the sphere of poverty management. Between the 1740s and the 1790s, legislators, political economists, reformers, and novelists transferred the parish system’s functions to another institution that promised self-sufficient prosperity: the laborer’s cottage. Expanding its scope beyond the parameters of literary history and previous studies of domesticity, Be It Ever So Humble posits that the modern middle-class home was conceived during the eighteenth century in England, and that its first inhabitants were the poor.

The Modern Gothic and Literary Doubles is concerned with Gothic representations of London in the late nineteenth-century. Establishing that a modern Gothic literary mode relocates the traditional rural Gothic to the late nineteenth-century metropolis, this volume explores the cultural history of London in the nineteenth century. The subsequent discussion of the Gothic fictions of Stevenson, Wilde and Wells offers new perspectives from which to assess the impact of contemporary perceptions of London as a Gothicized space on the works of these novelists.

You definitely know how to read. But do you know how to read artfully? Unlike everyday reading, artful reading—the way we read novels and short stories—is less about reading for specific information and more about reading to revel in the literary experience.

 

 

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Bringing his perennially popular course to the page, Yale University Professor Paul H. Fry offers in this welcome book a guided tour of the main trends in twentieth-century literary theory. At the core of the book's discussion is a series of underlying questions: What is literature, how is it produced, how can it be understood, and what is its purpose?Fry engages with the major themes and strands in twentieth-century literary theory, among them hermeneutics, modes of formalism, semiotics and Structuralism, deconstruction, psychoanalytic approaches, Marxist and historicist approaches, theories of social identity, Neo-pragmatism and theory.