At the end of her life, Catherine, the cast-off wife of Charles Dickens, gave the letters she had received from her husband to their daughter Kate, asking her to donate them to the British Museum, “so the world may know that he loved me once.” The incredible vulnerability and heartache evident beneath the surface of this remark inspired Gaynor Arnold to write Girl in a Blue Dress, a dazzling debut novel inspired by the life of this tragic yet devoted woman. 

Investigating Dickens' Style - A Collocational Analysis

Investigating Dickens' Style aims to provide new and profound insights into Dickens' language and style through the corpus-based study of collocation. A resource for Dickens' and literary stylistics researchers, the study makes use of the 4.6 million-word Dickens corpus to examine in detail Dickens' linguistic innovation, and offers a nuanced understanding of his use of language to achieve stylistic ends.

Dickens and The Politics of the Family

The fictional representation of the family has long been regarded as a Dickensian speciality. But while nineteenth-century reviewers praised Dickens as the pre-eminent novelist of the family, any close examination of his novels reveals a remarkable disjunction between his image as the quintessential celebrant of the hearth, and his interest in fractured families. Catherine Waters offers an explanation of this discrepancy through an examination of Dickens's representation of the family in relation to nineteenth-century constructions of class and gender.

Charles Dickens’s American audience

Robert McParland's insightful book provides a fascinating account of Dickens's role in shaping America's social and cultural identity in the nineteenth century. The author interestingly outlines the many ways in which American readers engaged with Dickens's works, and the ways in which Dickens's books influenced American ideologies. McParland supplies a wealth of material to substantiate his arguments in this well-written book.

Queer Dickens - Erotics, Families, Masculinities

This book offers a radically new reading of Dickens and his major works. It demonstrates that, rather than representing a largely conventional, conservative view of sexuality and gender, he presents a distinctly queer corpus, everywhere fascinated by the diversity of gender roles, the expandability of notions of the family, and the complex multiplicity of sexual desire. The book examines the long overlooked figures of bachelor fathers, martially resistant men, and male nurses. It explores Dickens's attention to a longing, not to reproduce, but to nurture, his interest in healing touch, and his articulation, over the course of his career, of homoerotic desire.