The historical study of crime has expanded in criminology during the past few decades, forming an active niche area in social history. Indeed, the history of crime is more relevant than ever as scholars seek to address contemporary issues in criminology and criminal justice. Thus, The Oxford Handbook of the History of Crime and Criminal Justice provides a systematic and comprehensive examination of recent developments across both fields.
This book provides a comprehensive overview of approaches to understanding crime and criminal behaviour, with a focus on psychological perspectives. A wide range of different types of criminal behaviour are considered, including juvenile crime, violent offending, sexual offending, collective violence and drug use. For each type of offence a clear overview of key conceptual and methodological issues is provided, along with a detailed consideration of the major theoretical approaches that have been developed. The book concludes by considering how our theoretical understanding of crime can inform our responses to criminal behaviour in terms of punishment, prevention and rehabilitation.
Sister Love and Other Crime Stories - Bookworms - Stage 1
Some sisters are good friends, some are not. Sometimes there is more hate in a family than there is love. Karin is beautiful and has lots of men friends, but she can be very unkind to her sister Marcia. Perhaps when they were small, there was love between them, but that was a long time ago. They say that everybody has one crime in them. Perhaps they only take an umbrella that does not belong to them. Perhaps they steal from a shop, perhaps they get angry and hit someone, perhaps they kill . . .
Britain began the twenty-first century convinced of its creativity. Throughout the New Labour era, the visual and performing arts, museums and galleries, were ceaselessly promoted as a stimulus to national economic revival, a post-industrial revolution where spending on culture would solve everything, from national decline to crime. Tony Blair heralded it a “golden age.” Yet despite huge investment, the audience for the arts remained a privileged minority. So what went wrong?
