Roman Britain: A Sourcebook (Routledge Sourcebooks for the Ancient World)
by Stanley Ireland
Roman Britain: A Sourcebook has established itself as the only comprehensive collection of source material on the subject. It incorporates literary, numismatic and epigraphic evidence for the history of Britain under Roman rule, as well as translations of major literary sources.
The Ending of Roman Britain explains what Britain was like in the fourth century AD and how this can be understood only in the wider context of the western Roman Empire. The emphasis is on the information to be won from archaeology rather than history, leading to a compelling explanation of the fall of Roman Britain and some novel suggestions about the place of post-Roman population in the formation of England.
Featuring the most frequently taught female writers and texts of the early modern period, this Companion introduces the reader to the range, complexity, historical importance, and aesthetic merit of women's writing in Britain from 1500-1700. Presenting key textual, historical, and methodological information, the volume exemplifies new and diverse approaches to the study of women's writing.
In 1979, Margaret Thatcher rose to power and the ensuing years are key to understanding Britain in the 21st century. Laybourn and Collette have gathered a carefully selected collection of materials from primary and secondary sources. They cover the major themes in British social and cultural history and politics of the last 25 years; trade unionism, the welfare state, Conservative politics, Blair's "Third Way". The conflict over Britain's relations with Europe, along with regionalism and devolution are illustrated, as well as the shifts in ethnicity, racial and sexual equality and immigration.
Capitalism, Culture and Decline in Britain is an original and controversial analysis of the thesis, made familiar in recent years by Martin J. Wiener, Anthony Sampson, Correlli Barnett, and others, which states that Britain's alleged economic decline since 1870 was the result of deep-seated anti-industrial factors in Britain's culture. Rubinstein argues, from a novel perspective, that Britain was never an industrial, but always a commercial/financial economy whose comparative advantage lay within that area.
