Terror and Irish Modernism: The Gothic Tradition from Burke to Beckett

Terror and Irish Modernism offers a synoptic overview of modern Irish fiction. Covering more than two centuries of literary production, Jim Hansen locates the root structure of modern Irish fiction in the masculine gender anxiety of one of the nineteenth century’s most popular literary genres: the Gothic. Addressing both the decolonization of Ireland and the politics of literary form, Hansen sheds new light on canonical works by Maria Edgeworth, C. R. Maturin, Oscar Wilde, James Joyce, and Samuel Beckett by reading them all as part of the generic tradition of the Irish Gothic.

Irish dramatist and novelist Samuel Beckett received the 1969 Nobel Prize in literature for his highly acclaimed body of work, including the play 'Waiting for Godot', his best-known work. Half a century after it was first published, the play is considered the forerunner of the plays of Ionesco, Pinter, Stoppard, and others. Harold Bloom introduces this volume of new critical essays about Beckett and his works, which is complete with a chronology of the author's life, a bibliography of his works, and an index.

Waiting for Godot has become one of the most important and enigmatic plays of the past 50 years and a cornerstone of 20th-century drama. This bilingual edition is in honor of the centenary of Beckett's birth. Originally written in French, Beckett translated the work himself, and in doing so chose to revise and eliminate various passages. With side-by-side text the reader can experience the mastery of Beckett's language and explore the nuances of his creativity. Upon being asked who Godot is, Samuel Beckett told Alan Schneider, "If I knew, I would have said so in the play."

This anthology covers writers and works of English literature. Among the major works included are the complete texts of Milton's "Paradise Lost" and Mary Shelley's "Frankenstein"; Shakespeare's "Twelfth Night"; Beckett's tragicomic "Endgame"; and Achebe's "Things Fall Apart".

Near the start of Edgar-finalist Gardiner's solid follow-up to The Dirty Secrets Club, San Francisco forensic psychiatrist Jo Beckett examines Ian Kanan, a distressed airline passenger who turns out to be suffering from anterograde amnesia, which makes it impossible for him to form new memories. Kanan, who's sure that his family has been kidnapped and he's been poisoned, disappears from the hospital before Beckett can learn more.