Arthur Miller's one act play about a group of men awaiting 'inspection' by German officers inside the Vichy regime is a study of the choices an individual can make against historical forces playing themselves out around him.
In 1872 a rich English gentleman, Phileas Fogg, makes a bet that he can go around the world in 80 days. So along with his French manservant, Passepartout, he sets off on an incredible race against the clock, over land and sea.
Dirty Old London: The Victorian Fight Against Filth
In Victorian London, filth was everywhere: horse traffic filled the streets with dung, household rubbish went uncollected, cesspools brimmed with "night soil," graveyards teemed with rotting corpses, the air itself was choked with smoke. In this intimately visceral book, Lee Jackson guides us through the underbelly of the Victorian metropolis, introducing us to the men and women who struggled to stem a rising tide of pollution and dirt, and the forces that opposed them.
"By making friends with signs", Lennard Davis argues, "we are weakening the bond that anchors us to the social world, the world of action, and binding ourselves to the ideological." For the reader, this power of the novel needs to be resisted. But there is a double resistance at work: the novel is also a defensive structure positioning us against alienation and loneliness: the dehumanising symptoms of modern life.
The book explores finely-grained distinctions in causal meaning, mostly from a relevance-theoretic perspective. To increase the challenge of this double task, i.e. a thorough as well as satisfactory account of cause and a detailed assessment of the theoretical model employed to this end, the current study involves an investigation carried out by way of contrasting the prototypical causal exponents of Modern Greek subordination, i.e. epeiδi and γiati. In addition, this objective is achieved in the methodological framework of contrasting a range of contextual applications of the two connectives against their translated versions in English, realizable by means of because.
