Designed for first-time readers of the subject, this stimulating introduction offers a historical exposition of differing views on the philosophy of science. With concise profiles presenting the major philosophers whose contributions are discussed in this book, Losee explores the long-argued questions raised by philosophers and scientists about the proper evaluation of science.
Using experimental style as a framework for close readings of writings produced by late twentieth-century North American women, Deborah Mix places Gertrude Stein at the center of a feminist and multicultural account of twentieth-century innovative writing. Her meticulously argued work maps literary affiliations that connect Stein to the work of Harryette Mullen, Daphne Marlatt, Betsy Warland, Lyn Hejinian, and Theresa Hak Kyung Cha.
In the most comprehensive history of this period ever written, Moore examines over 400 novels from around the world in a lively style that is as entertaining as it is informative. Though written for a general audience, The Novel, An Alternative History also provides the scholarly apparatus required by the serious student of the period. This sequel, like its predecessor, is a “zestfully encyclopedic, avidly opinionated, and dazzlingly fresh history of the most ‘elastic’ of literary forms” (Booklist).
Critics have often charged Edgar Allan Poe with sloppy writing. Using stylistics and classical rhetorical theory, Brett Zimmerman demonstrates that Poe was in fact a brilliant and deliberate lexical technician who varied his prose style according to genre and the world views and the mental health or illness of his narrators. Zimmerman breaks new ground in Poe studies by providing a catalogue of three hundred figures of speech and thought in the author's oeuvre, including his tales, personal correspondence, literary criticism, book reviews, and Marginalia.
"Comedy: American Style", Jessie Redmon Fauset's fourth and final novel, recounts the tragic tale of a family's destruction - the story of a mother who denies her clan its heritage. Originally published in 1933, this intense narrative stands the test of time and continues to raise compelling, disturbing, and still contemporary themes of color prejudice and racial self-hatred. Several of today's bestselling novelists echo subject matter first visited in Fauset's commanding work, which overflows with rich, vivid, and complex characters who explore questions of color, passing, and black identity.
