In Writer's Guide to Character Traits, 2nd edition, note psychologist and author Dr. Linda Edelstein takes you beyond generic personality types and into the depths of the human psyche where you're sure to find the resources you need to make your characters stand out from the crowd.
When writing fictional characters, it’s hugely important to convey their emotions effectively so readers will be drawn in and become invested in those characters. The Emotion Thesaurus: A Writer’s Guide to Character Expression was written to help writers convey the quality and depth of their characters’ feelings through their thoughts, body language, and visceral reactions. But there are also ways to amplify what a character is feeling, thereby heightening their emotional responses.
It's a writer's job to create compelling characters who can withstand life's fallout without giving up. But building authentic, memorable heroes is no easy task. To forge realistic characters, we must hobble them with flaws that set them back while giving them positive attributes to help them achieve their goals. So how do writers choose the right blend of strengths for their characters--attributes that will render them admirable and worth rooting for--without making it too easy for them to succeed? Character creation can be hard, but it's about to get a lot easier.
Marketing Literature: The Making of Contemporary Writing in Britain
Marketing Literature examines the conditions of, contexts for, and some key instances of, the publishing of contemporary writing in Britain. It considers the changing social, economic and cultural environment of the publishing industry in the 1990s-2000s, and investigates its impact on genre, format, packaging, authorship and reading. This innovative study of recent publishing history includes case studies of novels including Trainspotting, Bridget Jones's Diary, Captain Corelli's Mandolin, The God of Small Things and the His Dark Materials trilogy.
The Novel: An Anthology of Criticism and Theory 1900–2000 is a collection of the most influential writings on the theory of the novel from the twentieth century. Traces the rise of novel theory and the extension of its influence into other disciplines, especially social, cultural and political theory. Broad in scope, including sections on formalism; the Chicago School; structuralism and narratology; deconstruction; psychoanalysis; Marxism; social discourse; gender; post-colonialism; and more. Includes whole essays or chapters wherever possible.
