Eve Duncan and her adopted daughter, Jane Macguire, are pitted against the members of a secretive cult who have targeted Jane and have decided that she will he their ultimate sacrifice. In eight days they will come for her. In eight days, what Jane fears the most will become a reality. In eight days, she will die. It all begins with a painting that Jane, an artist, displays in her Parisian gallery.
Prolific bestseller Johansen subjects gutsy Jane Maguire to more troubles in her latest thrill ride. Jane, the adopted daughter of forensic sculptor Eve Duncan, was threatened by one serial killer in 1999's The Killing Game and another in 2004's Blind Alley, so it's no surprise that she's in danger again.
After losing her beloved child to a serial killer, forensic sculptor Eve Duncan survives by focusing on her career. The best in her field at rebuilding faces from bare skull bones, Eve specializes in identifying missing children. When billionaire John Logan requests her help in identifying an adult skull, Eve--already swamped with work--tells Logan that she isn't interested.
A CIA agent's two-year-old child was stolen in the night as a brutal act of vengeance. Now, eight years later, this torment is something Catherine Ling awakens to every day. Her friends, family, and colleagues tell her to let go, move on, accept that her son is never coming back. But she can't. Catherine needs to find someone as driven and obsessed as she is to help her-- and that person is Eve Duncan.
Moving into an upmarket new home in Leeds, rising radio star Matt Harper is shocked to find the skeleton of a small child in the attic. His grisly discovery takes him back to the summer of 1969, when he lived with his aunt only a few streets away, reawakening dim, vaguely disturbing memories from his childhood. While Detective Charlie Peace heads up the nominal police investigation into the bones, Matt's unease leads him to revisit the past in an attempt to solve the mystery himself.
