Lynsay Sands, “A Quick Bite (Argeneau Vampires, Book 01)”

That hot guy tied to Lissianna Argeneau's bed? He's not dessert—he's the main course! Lissianna has been spending her centuries pining for Mr. Right, not just a quick snack, and this sexy guy she finds in her bed looks like he might be a candidate. But there's another, more pressing issue: her tendency to faint at the sight of blood . . . an especially annoying quirk for a vampire. Of course it doesn't hurt that this man has a delicious-looking neck. What kind of cold-blooded vampire woman could resist a bite of that?

Smith L. J. - The Vampire Diaries

         3. The Fury

[Unabridged audiobook with text]

 

The third book deals with Elena's adjustment to her vampirism, as well as her confusion over loving both brothers. Stefan finds Elena dead, and believes that Damon was the force chasing Elena. They fight, and in the middle of it, Elena awakens, and attacks Stefan as, Elena viewed Stefan as a threat to her creator—-Damon having given Elena more blood in their exchange--and the brothers stop the fight...

Kiss Me Deadly

Death cocktail is what the vampires call a witch's blood. It's poisonous a drop will destroy a vampire within minutes. Nikolaus Drake is the rare vampire who has survived his first taste. Now he's on the hunt for the witch who almost brought him to his demise -- Ravin Crosse.
A witch who spends her nights hunting vampire tribes, Ravin has three obligations to fulfill to set her soul free. One of those obligations crafting a love spell twists her world upside down when Nikolaus draws the spell from her veins. Natural enemies rarely make the best bedfellows ...

This reference source, which includes all one ever wanted to know about the undead, is a real find for devotees of the horror genre as well as readers enticed by the 1992 movie Bram Stoker's Dracula and current novels by Anne Rice and others. The alphabetic entries, which vary in length, relate to vampires in film, literature, folklore, poetry, art, medicine, religion, and comedy. All of this plus black-and-white photos from memorable movies and sets make for fascinating research and browsing.

    In a thoughtful, well-informed study exploring fiction from throughout Stephen King's immense oeuvre, Heidi Strengell shows how this popular writer enriches his unique brand of horror by building on the traditions of his literary heritage. Tapping into the wellsprings of the gothic to reveal contemporary phobias, King invokes the abnormal and repressed sexuality of the vampire, the hubris of Frankenstein, the split identity of the werewolf, the domestic melodrama of the ghost tale.