Can normative words like "good," "ought," and "reason" be defined in entirely non-normative terms? Confusion of Tongues argues that they can, advancing a new End-Relational theory of the meaning of this language as providing the best explanation of the many different ways it is ordinarily used. Philosophers widely maintain that analyzing normative language as describing facts about relations cannot account for special features of particularly moral and deliberative uses of normative language, but Stephen Finlay argues that the End-Relational theory systematically explains these on the basis of a single fundamental principle of conversational pragmatics.
Speaking in Tongues: Languages at Play in the Theatre
Speaking in Tongues presents a unique account of how language has been employed in the theatre, not simply as a means of communication but also as a stylistic and formal device, and for a number of cultural and political operations. The use of multiple languages in the contemporary theatre is in part a reflection of a more globalized culture, but it also calls attention to how the mixing of language has always been an important part of the functioning of theatre.
Two men of words... One seeking only peace. The other, violence. Tate Collier, once one of the country's finest trial lawyers, is trying to forget his past. Now a divorced gentleman farmer, land developer, and community advocate in rural Virginia, he's regrouping from some disastrous mistakes in the realms of love and the law.
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Jennifer Laings newest book showcases 12 different animal patterns starting with Mortimer the Teddy Bear. In addition, it covers animals and fantasy characters from around the world including Philbert the Golly; Erik the Elf; Nils the Gnome... All animals can be made from a range of different fabrics and styles with ideas for variations. The author provides techniques to give the animals open mouths and realistic tongues, whiskers and tufted eyebrows, waxed noses, extra joints for increased pose-ability, wired ears, toes and tails.