First published in 1955, Pulitzer Prize-winning historian Bruce Catton’s classic account of the Civil War simultaneously captures the dramatic scope and intimate experience of that epic struggle in one brilliant volume.
This collection of essays explores the historical importance and imaginative richness of Scotland's extensive contribution to modes of traditional culture and expression: ballads, tales and storytelling, and song. Its underlying aim is to bring about a more dynamic and inclusive understanding of Scottish culture. Rooted in literary history and both comparative and interdisciplinary in scope, the volume covers the key aspects and genres of traditional literature, including the Gaelic tradition, from the medieval period to the present.
It was supposed to be a "dog and pony show" -- an elaborate demonstration of SEAL rescue techniques -- to celebrate a presidential visit to a California naval base. Professional, no-nonsense White House staffer Joan DaCosta arrives early to scope out the area. Assigned to be her SEAL liaison is Lt. (jg) Mike Muldoon, a born leader -- strong, decisive, tough and fearless.
Shakespeare's Feminine Endings: Disfiguring Death in the Tragedies
Philippa Berry draws on feminist theory, postmodern thought and queer theory, to challenge existing critical notions of what is fundamental to Shakespearean tragedy. She shows how, through a network of images clustered around feminine or feminized characters, these plays 'disfigure' conventional ideas of death as a bodily end, as their figures of women are interwoven with provocative meditations upon matter, time, the soul, and the body. The scope of these tragic speculations was radical in Shakespeare's day; yet they also have a surprising relevance to contemporary debates about time and matter in science and philosophy.
In this volume, leading cognitive linguists and contributors from related fields discuss and illustrate the central theoretical and methodological tenets of cognitive linguistics.
