This is the Arthurian legend of Tristan and Iseult. It is a tale of love, honour, intrigue, betrayal and jealousy, ending ultimately in tragedy. This story predates that of Lancelot and Guinevere, and is one of the most influential romances of the medieval period, inspiring many artists, from story-tellers to painters to composers.
Added by: saimoh76 | Karma: 7321.60 | Black Hole | 13 June 2012
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Tristan and Iseult
Tristan and Iseult By: Joseph Bédier
This is the Arthurian legend of Tristan and Iseult. It is a tale of love, honour, intrigue, betrayal and jealousy, ending ultimately in tragedy. This story predates that of Lancelot and Guinevere, and is one of the most influential romances of the medieval period, inspiring many artists, from story-tellers to painters to composers.
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Modernism and the Women's Popular Romance in Britain, 1885-1925
Today’s mass-market romances have their precursors in late Victorian popular novels written by and for women. In Modernism and the Women’s Popular Romance Martin Hipsky scrutinizes some of the best-selling British fiction from the period 1885 to 1925, the era when romances, especially those by British women, were sold and read more widely than ever before or since. Recent scholarship has explored the desires and anxieties addressed by both “low modern” and “high modernist” British culture in the decades straddling the turn of the twentieth century.
Boy Detectives: Essays on the Hardy Boys and Others
Much has been written about the girl sleuth in fiction, a feminist figure embodying all the potential wit and drive of girlhood. Her male counterpart, however, has received much less critical attention despite his popularity in the wider culture. This collection of eleven essays examines the boy detective and his genre from a number of critical perspectives, addressing the issues of these young characters, heirs to the patriarchy yet still concerned with first crushes and soda shop romances. Series explored include the Hardy Boys, Tow Swift, the Three Investigators, Christopher Cool and Tim Murphy, as well as works by Astrid Lindgren, Mark Haddon, and Joe Meno.
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In 22 essays, romance novelists address why romances are popular. These authors are convincing when they simply write what they think, as when Sandra Brown flatly asserts that romances "are fun--fun to write, fun to read, fun to dissect and discuss." Some more complex arguments, which invite closer scrutiny of their logic, don't always fare as well. For example, Linda Barlow and Jayne Ann Krentz maintain that "outsiders tend to be unable to interpret" the language, images and symbols that recur, but only a few pages later they claim that such "codes" are "universally recognized by women."
