Assembled by the prominent psychologists Daniel Schacter and Endel Tulving, the contributions in Memory Systems 1994 focus on the nature and number of memory systems in humans and animals. Together they present ideas from cognitive psychology, neuropsychology, and neuroscience in a review of intriguing experimental outcomes at the cutting edge of this domain, grappling, often passionately, with the behavioral and neuroanatomical composition of memory systems and subsystems. Chapters are revised versions of contributions that appeared in a special issue of the Journal of Cognitive Neuroscience. This book includes an integrated discussion of and cross-commentary on the earlier contributions.

This anthology is based on the assumption that cognitive psychology is at heart empirical philosophy. Many of the core questions about thought, language, perception, memory, and knowledge of other people's minds were for centuries the domain of philosophy. The book begins with the philosophical foundations of inquiry into the nature of mind and thought, in particular the writings of Descartes, and then covers the principal topics of cognitive psychology including memory, attention, and decision making.

Urban Memory :History and Amnesia in the Modern City brings together ideas about memory which bear upon the architectural and urban experience of the modern city. It presents a critical and creativity approach in the theorization of memory and focuses this burgeoning area of studies on the actual forms of the built environment in the modernist and post-industrial city.
Urban memory was a key theme in many of the leading modernist writers and social thinkers. Conversely, modernism in architecture and urbanism was more often devoted to a utopian ideal which seemed to erase memory from the city. More recently the two have come together. Cities that were once centers of intensely forward-looking modernist culture, now proclaim themselves as primarily palimpsest or 'memory-spaces'. This can be seen in a burgeoning of architects and architecture specializing in monuments to trauma, nostalgic collaborations between conservationists and developers; city centers which are proclaimed as 'urban villages'; and the ever increasing number of amenity groups, listed buildings, museums, historians, and preservation societies.

With Joyce, Proust, and Faulkner in mind, we have come to understand the novel as a form with intimate ties to the impulses and processes of memory. This study contends that this common perception is an anachronism that distorts our view of the novel. Based on an investigation of representative novels, Amnesiac Selves shows that the Victorian novel bears no such secure relation to memory, and, in fact, it tries to hide, evade, and eliminate remembering.