The Bourne Ultimatum - Penguin Readers - Level 6 At a small-town carnival, two men, each mysteriously summoned by telegram, witness a bizarre killing. The telegrams are signed "Jason Bourne." Only they know Bourne's true identity and understand that the telegrams are really a message from Bourne's mortal enemy, Carlos, known also as the Jackal, the world's deadliest and most elusive terrorist. And furthermore, they know what the Jackal wants: a final confrontation with Bourne.

Greek Literature and the Roman Empire uses up-to-date literary and cultural theory to explore the phenomenal rise of interest in literary writing in Greece under the Roman Empire. Greek identity cannot be properly understood without appreciating the brilliant sophistication of the writers of the period, whose texts must be considered in the historical and cultural context of the battles for identity that raged under the vast, multicultural Roman Empire.

Установление личности Set in 1888, the story revolves around the case of Miss Mary Sutherland, a woman with a substantial income from the interest on a fund set up for her. She is engaged to a quiet Londoner who has recently disappeared. Sherlock Holmes's detective powers are barely challenged as this turns out to be quite an elementary case for him, much as it puzzles Watson

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As Europe’s religious, social, economic, and cultural identity began to take more definite shape in the medieval and Renaissance eras, so too did its literary identity. By capturing in ink the spirit of these transformative periods, such literary giants as Geoffrey Chaucer, Miguel de Cervantes, William Shakespeare, and John Milton laid the foundations for literature, drama, and poetry today. Readers will be introduced to these and other notable figures from around the world whose works have had an equally enduring impact on the global literary canon

Shakespeare's Late Work

Shakespeare's Late Work is a detailed reading of the plays written at the end of Shakespeare's career, centring on Pericles, Cymbeline, The Winter's Tale, and The Tempest. Unlike many previous studies it considers all the late work, including Henry VIII, The Two Noble Kinsmen, the revised Folio version of King Lear, and even what can be ascertained about the lost Cardenio. From this broadened canon emerge signs of a distinct identity for the late work. Lyne explores how Shakespeare sets great store in grand principles - faith in God, love of family, reverence for monarchs, and belief in theatrical representations of truth.