Added by: tothman | Karma: 15.16 | Other | 19 March 2011
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Millennium: A History of the Last Thousand Years
In this freewheeling, selective, iconoclastic history of the world from the 10th century to the present, Fernandez-Armesto concludes that the West's domination of global affairs was far from inevitable and is likely to abate as economic power and initiatives in technology and ideas shift decisively to Pacific rim nations. Editor of The Times Guide to the Peoples of Europe, the author first chronicles the slow, fitful consolidation of Islamic civilization, imperial China, medieval Europe and the Byzantine empire. The great age of European expansion unfolds here in a world full of aggressive competitors.
This volume includes selected papers from an interdisciplinary symposium in Norse Studies held at the University of St Andrews. The symposium brought together scholars with a shared interest in medieval Scandinavian history and culture, especially the sagas, from a variety of disciplines, and this diversity is reflected in the papers published here.
"A History of Icelandic Literature" provides a complete overview of the literature of Iceland, from the country's settlement in the ninth century until the present day, including chapters on lesser-known areas such as drama, children's literature, women's literature, and North American Icelandic literature. It is the first work to give non-Icelandic readers a wide-ranging introduction to Iceland's literature and each contributor to this volume is a recognized expert in his or her area. Despite its peripheral geographical position and small population, Iceland produced some of the most remarkable literary treasures of the Middle Ages, particularly sagas and Eddic poetry.
The twelve essays in Women and Wealth in Late Medieval Europe re-examine the vexing issue of women, money, wealth, and power from distinctive perspectives—literature, history, architectural history—using new archival sources.
Monk's Music: Thelonious Monk and Jazz History in the Making
Thelonious Monk (1917-1982) was one of jazz's greatest and most enigmatic figures. As a composer, pianist, and bandleader, Monk both extended the piano tradition known as Harlem stride and was at the center of modern jazz's creation during the 1940s, setting the stage for the experimentalism of the 1960s and '70s. This pathbreaking study combines cultural theory, biography, and musical analysis to shed new light on Monk's music and on the jazz canon itself. Gabriel Solis shows how the work of this stubbornly nonconformist composer emerged from the jazz world's fringes to find a central place in its canon.
