Historical dress and textiles, always a topic of popular interest, has in recent years become an academic subject in its own right, transcending traditional genre boundaries. This annual journal includes in-depth studies from a variety of disciplines as well as cross-genre scholarship, representing such fields as social history, economics, history of techniques and technology, art history, archaeology, literature, and language. The contents cover a broad geographical scope and a range of periods from the early Middle Ages to the Renaissance.
Theorizing that needlework represents a variety of life-sustaining bonds among individuals, generations, and traditions, Bausum investigates the role of threadworkers and their creations in human culture by surveying a broad range of literary sources containing passages related to needlecrafts. She considers threadwork from the perspectives of religion, myth, warfare, art, and technology, ranging from biblical references to clothing made in the Garden of Eden, to portrayals of threadworkers in Greek and Roman myths and Homer's The Iliad and The Odyssey, to references to textiles in Charles Dickens's A Tale of Two Cities and Louisa May Alcott's Little Women.
Lost Libraries - The Destruction of Great Book Collections Since Antiquity
This pioneering volume of essays explores the destruction of great libraries since ancient times and examines the intellectual, political and cultural consequences of loss. Fourteen original contributions, introduced by a major re-evaluative history of lost libraries, offer the first ever comparative discussion of the greatest catastrophes in book history from Mesopotamia and Alexandria to the dispersal of monastic and monarchical book collections, the Nazi destruction of Jewish libraries, and the recent horrifying pillage and burning in Tibet, Bosnia and Iraq.
The City Rehearsed - Object, Architecture and Print
The City Rehearsed offers a new perspective on printed architecture in early modern Europe through the lens of Hans Vredeman de Vries. It focuses on the active role his prints played in the life of urban readers outside of a narrowly-defined "Flemish" architectural history. This is a study with clear interest for historians of art and the built environment.
What do you do when you accidentally destroy your history teacher's prized collection of historical artifacts? If you're teenaged delinquents, Aston and Grant, this is more than just a rhetorical question. They've made a huge mistake, one that might cost them everything. Adding to their misery, their history teacher's name is Merlin. Yes, that Merlin, and the answer to their dilemma is deceptively simple according to the old wizard. You go back in time to replace the items you destroyed! Aston and Grant find themselves in ancient Egypt, where their first task is to find and retrieve "The Eye of Ra," a golden amulet owned by none other than King Tut, the boy king of Egypt.
