Divine Encounters: A Guide to Visions, Angels, and Other Emissaries by Zecharia Sitchin
Explains the links between the Bible and ancient Sumerian texts, probing the age-old question of the relationship between humanity and its creators. • Challenges scientific maxims of the basis of human life. • Draws fascinating parallels between the leaders of the Anunnaki (from the 12th planet) and Yahweh. • A comprehensive new look at the history of man.
Added by: isabeljimenez | Karma: 1202.60 | Fiction literature | 10 February 2011
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Divine Justice
Known by his alias, "Oliver Stone," John Carr is the most wanted man in America. With two pulls of the trigger, the men who destroyed Stone's life and kept him in the shadows were finally silenced.
But his freedom comes at a steep price: The assassinations he carried out prompt the highest levels of the U.S. government to unleash a massive manhunt. Behind the scenes, master spy Macklin Hayes is playing a very personal game of cat and mouse. He, more than anyone, wants Stone dead.
Making Haste from Babylon: The Mayflower Pilgrims and Their World: A New History
At the end of 1618, a blazing green star soared across the night sky over the northern hemisphere. From the Philippines to the Arctic, the comet became a sensation and a symbol, a warning of doom or a promise of salvation. Two years later, as the Pilgrims prepared to sail across the Atlantic on board the Mayflower, the atmosphere remained charged with fear and expectation. Men and women readied themselves for war, pestilence, or divine retribution. Against this background, and amid deep economic depression, the Pilgrims conceived their enterprise of exile.
The King's Body - Sacred Rituals of Power in Medieval and Early Modern Europe
Since the 18th century, political theory has focused on the making of the state rather than on the role of the king or sovereign as political ruler. Relying on minute details and exhaustive research, Bertelli, a historian at the University of Florence, demonstrates that from the early Middle Ages up through the 17th century the centrality of the sovereign provided the key element in maintaining the order of society. Societies thought of their kings as divine. The king's body thus became the ground where the sacred and the profane, the supernatural and the natural intersected. Consequently, Bertelli argues, rituals developed emphasizing the divine sovereignty of the king.
The Divine Comedy is composed of three canticas (or “cantiche”) — Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Paradise) — composed each of 33 cantos (or “canti”). The very first canto serves as an introduction to the poem and is generally not considered to be part of the first cantica, bringing the total number of cantos to 100. The poet tells in the first person his travel through the three realms of the dead, lasting during the Easter Triduum in the spring of 1300.
