The incomparable Borges delivered these seven lectures in Buenos Aires in 1977; attendees were treated to Borges’ erudition on the following topics: Dante’s The Divine Comedy, Nightmares, Thousand and One Dreams, Buddhism, Poetry, The Kabbalah, and Blindness.
In a brilliant illumination of the Renaissance mind, the acclaimed Irish novelist John Banville re-creates the life of Johannes Kepler and his incredible drive to chart the orbits of the planets and the geometry of the universe. Wars, witchcraft, and disease rage throughout Europe. And for this court mathematician, vexed by domestic strife, appalled by the religious upheavals that have driven him from exile to exile, and vulnerable to the whims of his eccentric patrons, astronomy is a quest for some form of divine order. For all of the mathematical precision of his exploration, though, it is a seemingly elusive quest until he makes one glorious and profoundly human discovery.
Near the start of bestseller Baldacci's less than compelling fourth Camel Club thriller (after Stone Cold), former CIA assassin Oliver Stone (aka John Carr) boards a New Orleans–bound train at Washington's Union Station after shooting to death a well-known U.S. senator and the nation's intelligence chief, the two men responsible for his wife's murder. Ever the Good Samaritan, Stone intervenes in a fight on the train, but when the Amtrak conductor asks to see his ID, he gets off at the next station, knowing his fake ID won't withstand scrutiny. So much for Stone's vaunted ability as a resourceful planner.
hough it did not yet exist as a discrete field of scientific inquiry, biology was at the heart of many of the most important debates in seventeenth-century philosophy. Nowhere is this more apparent than in the work of G. W. Leibniz. In Divine Machines, Justin Smith offers the first in-depth examination of Leibniz's deep and complex engagement with the empirical life sciences of his day, in areas as diverse as medicine, physiology, taxonomy, generation theory, and paleontology. He shows how these wide-ranging pursuits were not only central to Leibniz's philosophical interests, but often provided the insights that led to some of his best-known philosophical doctrines.
This landmark work presents the most illuminating portrait we have to date of goddesses and sacred female imagery in Western culture--from prehistory to contemporary goddess movements. Beautifully written, lucidly conceived, and far-ranging in its implications, this work will help readers gain a better appreciation of the complexity of the social forces-- mostly androcentric--that have shaped the symbolism of the sacred feminine. At the same time, it charts a new direction for finding a truly egalitarian vision of God and human relations through a feminist-ecological spirituality.
