Contemporary observers described the young king in glowing terms. At over six feet tall, with rich auburn hair, clear skin, and a slender waist, he was, to many, "the handsomest prince ever seen." From this starting point in Henry VIII, the King and His Court, biographer extraordinare Alison Weir reveals a Henry VIII far different from the obese, turkey-leg gnawing, womanizing tyrant who has gone down in history. Henry embodied the Renaissance ideal of a man of many talents--musician, composer, linguist, scholar, sportsman, warrior--indeed, the Dutch humanist Erasmus (not a man inclined to flattery) declared him a "universal genius."
Court Patronage and Corruption in Early Stuart England
Private alliances and exchange of favors permeated political, social, economic, and artistic life in early modern Europe. These informal patronage relationships, which helped construct ties between monarchs and political elites, were especially strong in early Stuart England. As court patronage grew, so did opportunities for betrayal and corruption. But was Stuart government really more corrupt than Tudor government? Were the structures of governance becoming unworkable, or were they badly managed by the Stuarts?
Added by: Starcn | Karma: 199.38 | Black Hole | 29 January 2011
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The Handy Law Answer Book
Combining practical legal tips with an exhaustive review of the law in the United States, this comprehensive reference answers more than 1,200 questions ranging from Where did the word tort come from? and How are state court judges selected? to Where did the first U.S. Supreme Court meet? Useful advice includes how to find a lawyer, how to file a complaint against a lawyer, how to document discrimination in the workplace, and how to handle oneself in court. Interspersed throughout are fun sidebars highlighting important cases and explanations of legal terms as well as entertaining information on bizarre and frivolous lawsuits ...
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Almost 500 years after Michelangelo Buonarroti frescoed the ceiling of the Sistine Chapel in Rome, the site still attracts throngs of visitors and is considered one of the artistic masterpieces of the world. Michelangelo and the Pope’s Ceiling unveils the story behind the art's making, a story rife with all the drama of a modern-day soap opera. The temperament of the day was dictated by the politics of the papal court, a corrupt and powerful office steeped in controversy; Pope Julius II even had a nickname, "Il Papa Terrible," to prove it. Along with his violent outbursts and warmongering
