Dictionary of Contemporary English 5th

The Longman Dictionary of Contemporary English – widely known as LDOCE – uses 2000 common words in the definitions to make understanding easy. The 9000 most important words to learn are highlighted with three red circles and the most common meanings of a word are shown first. In addition, 88,000 example sentences are pronounced by British or American native speakers of English

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Contemporary Pediatrics - January 2010

Contemporary Pediatrics offers pediatric health providers continuing education on the prevention, diagnosis, and management of illness and behavior problems in infants, children, and adolescents through review articles that address practical clinical concerns.
REUPLOAD NEEDED

At a time increasingly dominated by globalization, migration, and the clash between supranational and ultranational ideologies, the relationship between language and borders has become more complicated and, in many ways, more consequential than ever. This book shows how concepts of ‘language’ and ‘multilingualism’ look different when viewed from Belize, Lagos, or London, and asks how ideas about literature and literary form must be remade in a contemporary cultural marketplace that is both linguistically diverse and interconnected, even as it remains profoundly unequal.

In 1938, just after publication of his all-time best-seller Think and Grow Rich, Napoleon Hill reveals that he broke the Devil’s Code, forcing him to confess his secrets. The resulting manuscript — Outwitting the Devil — proved so controversial, it was hidden for more than seventy years. Now Sharon Lechter brings us this important book, annotating and editing it for a contemporary audience. Using his legendary ability to get to the root of human potential, Hill digs deep to identify the greatest obstacles we face in reaching our personal goals

Reuploaded Thanks to gonewiththewind

What does it mean to study Shakespeare within a multicultural society? And who has the power to transform Shakespeare?
The Diverse Bard explores how Shakespeare has been adapted by artists born on the margins of the Empire, and how actors of Asian and African-Caribbean origin are being cast by white mainstream directors. It examines how notions of 'race' define the contemporary British experience, including the demands of traditional theatre, and it looks at both the playtexts themselves and contemporary productions.