This is the first anthology of translation studies edited by two leading Chinese scholars in the field published in the English speaking world. The essays deal with translation studies in a global/local context and from a Chinese perspective. Such cutting edge theoretic topics as globalisation, postcolonial theory, diaspora writing, polysystem theory, and East-West comparative literature and culture studies are discussed in an in-depth and accessible way.

This anthology of Chinese women's poetry in translation brings together representative selections from the work of some 130 poets from the Han dynasty to the early twentieth century. To measure the development of Chinese women's poetry, one must take into account not only the poems but also the prose writings' prefaces, biographies, theoretical tracts that framed them and attempted to shape women's writing as a distinct category of literature. To this end, the anthology contains an extended section of criticism by and about women writers.

The primary purpose of this anthology is to put before the English-speaking reader evidence of the poetic talent that flourished, against all odds, among women in premodern China. It is also designed to spur reflection among specialists in Chinese poetry, inspiring new perspectives on both the Chinese poetic tradition and the canon of female poets within that tradition. This partial history both connects with and departs from the established patterns for women's writing in the West, thus complementing current discussions of feminine writing.

Every year, at the Wa Huang Gong temple in Hebei Province, China, people gather to worship the great mother, Nuwa, the oldest deity in Chinese myth, praising her for bringing them a happy life. It is a vivid demonstration of both the ancient reach and the continuing relevance of mythology in the lives of the Chinese people.
Compiled from ancient and scattered texts and based on groundbreaking new research, Handbook of Chinese Mythology is the most comprehensive English-language work on the subject ever written from an exclusively Chinese perspective.

Through biographies of China's most colorful and famous personalities, John Wills displays the five-thousand-year sweep of Chinese history from the legendary sage emperors to the tragedy of Tiananmen Square. This unique introduction to Chinese history and culture uses more than twenty exemplary lives, including those of statesmen, philosophers, poets, and rulers, to provide the focus for accounts of key historical trends and periods. What emerges is a provocative rendering of China's moral landscape, featuring characters who have resonated in the historical imagination as examples of villainy, heroism, wisdom, spiritual vision, political guile, and complex combinations of all of these.