Ian Rankin - Strip Jack SOMEONE IS STRIPPING JACK NAKED... Gregor Jack, MP, well like, young, married to the fiery Elizabeth to the outside world a very public sucess story. But Jack's carefully nurtured career plans take a tumble after a 'mistake' during a police raid on a notorious Edinburgh brothel. Then Elizabeth disappears, a couple of bodies float into viewwhere they shouldn't, and a lunatic speaks from his asylum... With his wife missing, his job on the line, and his sanity in doubt, Gregor Jack is ripe for revenge.
Added by: JustGoodNews | Karma: 4306.26 | Black Hole | 17 January 2011
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The Repair of Vehicle Bodies
The most comprehensive construction, repair and finishing of vehicle bodies text. Fully covers the underpinning knowledge needed for the Automotive Skills Council vehicle body and paint operations requirements, City and Guilds 3980 Vehicle Body Repair Competence courses and the NVQ and the Progression Awards of both City and Guilds and the Institute of the Motor Industry at levels 2 and 3.
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Uncanny Bodies - The Coming of Sound Film and the Origins of the Horror Genre
In 1931 Universal Pictures released "Dracula "and "Frankenstein, "two films that inaugurated the horror genre in Hollywood cinema. These films appeared directly on the heels of Hollywood's transition to sound film. "Uncanny Bodies "argues that the coming of sound inspired more in these massively influential horror movies than screams, creaking doors, and howling wolves. A close examination of the historical reception of films of the transition period reveals that sound films could seem to their earliest viewers unreal and ghostly.
Thomas Holden presents a fascinating study of theories of matter in the seventeenth and eighteenth centuries. These theories were plagued by a complex of interrelated problems concerning matter's divisibility, composition, and internal architecture. Is any material body infinitely divisible? Must we posit atoms or elemental minima from which bodies are ultimately composed? Are the parts of material bodies themselves material concreta? Or are they merely potentialities or possible existents? Questions such as these - and the press of subtler questions hidden in their amibiguities - deeply unsettled philosophers of the early modern period.
Enter the Body speculates on how the theatre 'plays' women's bodies, and how audiences read them. Ideal for literature, theatre and gender studies courses, it covers topics such as sex, death, race, gender, culture and politics. Carol Rutter explores the five female characters, Ophelia, Cordelia, Emilia, Cressida and Cleopatra to reconstruct specific theatrical moments that put their bodies spectacularly in play. One of the most provocative writers on women's performances of Shakespeare in Britain today, Rutter also situates these roles on the early modern stage, observing performers such as Kate Winslet, Judi Dench and Whoopi Goldberg.
