Did you know that "an actor must believe to make his audience believe?" This is the key concept behind ACTING IS BELIEVING. Authors Charles McGaw and Larry D. Clark have influenced thousands of actors, and Kenneth Stilson's update which includes new exercises and updated scripts bring modern relevance to the text. Inside, you'll learn the Stanislavski method and how to perfect using it, along with hundreds of other tips to help you be the flawless actor you are meant to be.
Actors and actresses play characters such as the embittered Medea, or the lovelorn Romeo, or the grieving and tearful Hecabe. The theatre audience holds its breath, and then sparks begin to fly. But what about the actor? Has he been affected by the emotions of the character he is playing? What'sgoing on inside his mind?The styling of emotions in the theatre has been the subject of heated debate for centuries. In fact, Diderot in his Paradoxe sur le comedien, insisted that most brilliant actors do not feel anything onstage.
Broad in both geographical and temporal scope, this volume's definition of acting includes all forms of public performance rather than the more accepted definition of interpreting written text before an audience. Osnes, a theatrical scholar and practitioner, has gathered a wealth of information from a wide variety of sources.
The annual gathering of the Society for Creative Anachronism in Pennsylvania is the scene of this thoroughly enjoyable first novel. All the participants, dressed in medieval garb, are assembled to fight the Pennsic War. But in the midst of the battle the most disruptive of the Mongol hoard is murdered. What follows is a clash between the state troopers and a group of 5400 people all acting like something out of King Arthur's Court. Even though a bit slim on mystery this is highly recommended for those who like some zany fun mixed with murder.
