Genre theory in the past few years has contributed immensely to our understanding of the way discourse is used in academic, professional and institutional contexts. However, its development has been constrained by the nature and design of its applications, which have invariably focused on language teaching and learning, or communication training and consultation. This has led to the use of simplified and idealised genres. In contrast to this, the real world of discourse is complex, dynamic and unpredictable. This tension between the real world of written discourse and its representation in applied genre-based literature is the main theme of this book.
Inch by inch, day by day, Scott Carey is getting smaller. Once an unremarkable husband and father, Scott finds himself shrinking with no end in sight. His wife and family turn into unreachable giants, the family cat becomes a predatory menace, and Scott must struggle to survive in a world that seems to be growing ever larger and more perilous--until he faces the ultimate limits of fear and existence.
To some, 1968 was the year of sex, drugs, and rock and roll. Yet it was also the year of the Martin Luther King, Jr., and Bobby Kennedy assassinations; the riots at the Democratic National Convention in Chicago; Prague Spring; the antiwar movement and the Tet Offensive; Black Power; the generation gap; avant-garde theater; the upsurge of the women’s movement; and the beginning of the end for the Soviet Union.
Charlotte Gray is a 1999 book by Sebastian Faulks and completes his loose trilogy of books about France with an account of the adventures of a young Scotswoman who becomes involved with the French resistance during the Second World War. It is set in Vichy France during World War II. The story is thought to be based on the exploits of Nancy Wake, codenamed the white mouse, a member of the resistance in war time France and Pearl Cornioley, a British secret service agent.
