How It Works, the magazine that explains everything you never knew you wanted to know about the world we live in. Loaded with fully illustrated guides and expert knowledge, and with sections dedicated to science, technology, transportation, space, history and the environment, no subject is too big or small for How It Works to explain.
How It Works, the magazine that explains everything you never knew you wanted to know about the world we live in. Loaded with fully illustrated guides and expert knowledge, and with sections dedicated to science, technology, transportation, space, history and the environment, no subject is too big or small for How It Works to explain.
The Shakespeare Book brings the work of William Shakespeare to life with full-color photography, images, idea webs, timelines, and quotes that help you understand the context of Shakespeare's plays and poems. From Shakespeare's most-famous plays, such as Romeo and Juliet and Julius Caesar, to less-frequently performed works such as King John and Henry VIII, every play of the Shakespearean canon is collected in this comprehensive guide, along with his major poems and best-loved sonnets.
How It Works, the magazine that explains everything you never knew you wanted to know about the world we live in. Loaded with fully illustrated guides and expert knowledge, and with sections dedicated to science, technology, transportation, space, history and the environment, no subject is too big or small for How It Works to explain.
In the tradition of E. M. Forster's Aspects of the Novel and Milan Kundera's The Art of the Novel, How Fiction Works is a scintillating and searching study of the main elements of fiction, such as narrative, detail, characterization, dialogue, realism, and style. In his first full-length book of criticism, one of the most prominent critics of our time takes the machinery of story-telling apart to ask a series of fundamental questions: What do we mean when we say we 'know' a fictional character? What constitutes a 'telling' detail? When is a metaphor successful? Is realism realistic? Why do most endings of novels disappoint?
