The Face of Queenship: Early Modern Representations of Elizabeth I
The Face of Queenship investigates the aesthetic, political, and gender-related meanings in representations of Elizabeth I by her contemporaries. By attending to eyewitness reports, poetry, portraiture, and discourses on beauty and cosmetics, this book shows how the portrayals of the queen’s face register her contemporaries’ hopes, fears, hatreds, mockeries, rivalries, and awe. In its application of theories of the meaning of the face and its exploration of the early modern representation and interpretation of faces, this study argues that the face was seen as a rhetorical tool and that Elizabeth was a master of using her face to persuade, threaten, or comfort her subjects.
The essays in this volume contribute to a new understanding of the second half of the sixteenth century when England experienced the unprecedented rule of two successive queens regnant. Focusing on a diverse range of issues, from politics and personnel to ceremony and costume, and from a range of perspectives, Tudor Queenship demonstrates that thinking about both queens at the same time can be highly suggestive, and propels us to revise, develop and understand, and to contextualize, traditional interpretations. From what Elizabeth learnt from Mary, assessments of political acumen and the significance of confessional differences this is the first volume to focus on both Mary and Elizabeth
