One of today's most important novelists, Cormac McCarthy is at the peak of a long and productive career. The film adaptation of his No Country for Old Men is a major motion picture, and his fiction is widely read in book clubs. This volume looks at his works, characters, themes, and contexts and relates his writings to current events and popular culture. Chapters include sidebars of interesting information, along with questions to stimulate book club discussions and student research.
The opening section of The Crossing, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like All the Pretty Horses, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead.
In No Country for Old Men: From Novel to Film, scholars offer varied approaches to both the novel and the award-winning film. Beginning with several essays dedicated entirely to the novel and its place within the McCarthy canon, the anthology offers subsequent essays focusing on the film, the adaptation process, and the Coen Brothers more broadly. The book also features an interview with the Coen brothers' long-time cinematographer Roger Deakins. This entertaining and enriching book for readers interested in the Coen Brothers' films and in McCarthy's fiction is an important contribution to both Literature and Film Studies.
Blood Meridian or the Evening Redness in the West is a 1985 Western novel by American author Cormac McCarthy. McCarthy's fifth book, it was published by Random House. The narrative follows a teenage runaway referred to only as "the kid", with the bulk of the text devoted to his experiences with the Glanton gang, a historical group of scalp hunters who massacred Indians and others in the United States–Mexico borderlands in 1849 and 1850. The role of antagonist is gradually filled by Judge Holden, a large, intelligent man depicted as entirely devoid of body hair and emblematic of violence and conflict.
