Beautiful Chaos is the first book to examine contemporary American fiction through the lens of chaos theory. The book focuses on recent works of fiction by John Barth, Michael Crichton, Don DeLillo, Michael Dorris, Cormac McCarthy, Toni Morrison, Thomas Pynchon, Carol Shields, and Robert Stone, all of whom incorporate aspects of chaos theory in one or more of their novels. They accomplish this through their disruption of conventional linear narrative forms and their use of strategic tropes of chaos and order, but also--and more significantly for an understanding of the interaction of science and fiction--through their self-conscious embrace of the current rhetoric of chaos theory.
Added by: Romadzha | Karma: 827.99 | Audio, Other | 4 January 2009
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Michael Stipe talks about filming in a sex shop, talks about love and coming out, about politics. Michael Stipe says some words in support of Darack Obama and his political course.
Michael Dockrill's concise study of the early years of the Cold War between the Western Powers and Soviet Union has been widely acclaimed as an authoritative guide to the subject. In this second edition, he and Michael Hopkins bring the story up to the events of 1991, and also expand coverage of key topics.
This is the best-known tale of the American Mafia ever told. Don Corleone is the Godfather, the head of one of the richest families in New York. He is a gangster and his business is crime, violence and murder. His favourite son Michael is a lawyer who wants to lead a quiet, peaceful life. But when his father is nearly killed by rival gangsters Michael gets pulled into the dangerous world of the 'family business' … The Godfather starring Marlon Brando and Al Pacino, is one of the most popular films ever made. So popular in fact that three sequels were made about the Corleone family.
The Chomskian revolution in linguistics gave rise to a new orthodoxy about mind and language. Michael Devitt throws down a provocative challenge to that orthodoxy. What is linguistics about? What role should linguistic intuitions play in constructing grammars? What is innate about language? Is there a "language faculty?" These questions are crucial to our developing understanding of ourselves; Michael Devitt offers refreshingly original answers.