The Chomskian revolution in linguistics gave rise to a new orthodoxy about mind and language. Michael Devitt throws down a provocative challenge to that orthodoxy. What is linguistics about? What role should linguistic intuitions play in constructing grammars? What is innate about language? Is there a "language faculty?" These questions are crucial to our developing understanding of ourselves; Michael Devitt offers refreshingly original answers.

In Writing Genres, Amy J. Devitt examines genre from social, linguistic, professional, and historical perspectives and explores genre's educational uses, making this volume the most comprehensive view of genre theory today.

Beginning by defining genre as a typified rhetorical action occurring at the nexus of situation, culture, and other genres, Devitt argues that genre highlights variations in texts necessary for creativity, a treatment that opposes the traditional view of genre as constraining and homogenizing. In step with contemporary genre scholarship, Writing Genres does not limit itself just to literary genres or to ideas of genres as formal conventions. Devitt succeeds in providing a theoretical definition of genre as rhetorical, dynamic, and flexible, as well as ideological and constraining. This theoretical approach sees genres as types of rhetorical actions that people perform and encounter everyday in academic, professional, and social interactions. As such, jokes, sweepstakes letters, junk mail, mystery novels, academic research papers, small talk, lectures, and travel brochures are all complex genres of their own. Genres such as these have the power to ease communication or to dec! eive, to enable someone to speak or to discourage someone from saying something different.