Thirty-four years ago, Violet Sullivan put on her party finery and left for the annual Fourth of July fireworks display. She was never seen again. In the small California town of Serena Station, tongues wagged. Some said she'd run off with a lover. Some said she was murdered by her husband. But for the not-quite-seven-year-old daughter Daisy she left behind, Violet's absence has never been explained or forgotten. Now, thirty-four years later, she wants the solace of closure.
In what may be her most unsettling novel to date, Sue Grafton's T is for Trespass is also her most direct confrontation with the forces of evil. Beginning slowly with the day-to-day life of a private eye, Grafton suddenly shifts from the voice of Kinsey Millhone to that of Solana Rojas, introducing readers to a chilling sociopath. Rojas is not her birth name. It is an identity she cunningly stole, an identity that gives her access to private caregiving jobs. The true horror of the novel builds with excruciating tension as the reader foresees the awfulness that lies ahead.
Kinsey Millhone steps into a dead man's shoes when she is hired by attorney Lonnie Kingman to find fresh evidence against a defendent in a five-year-old murder case. David Barney had been acquitted of shooting his wife when the prosecution failed to find him guilty "beyond reasonable doubt".
"M" is for money - lots of it. Malek Construction remains in family hands, with four sons set to inherit a fortune. One of them went missing 18 years ago. "M" is also for Millhone, hired to trace that brother. "M" is for memories - and finally - "M" is for malice, and malice kills.
Features the wisecracking female PI Kinsey Millhone. Lorna Kepler was beautiful and wilful, a loner who couldn't resist flirting with danger. The police cannot establish neither motive nor suspect for her death. So before Kinsey can expose a murderer, she must prove murder. REUPLOAD NEEDED
