Plague Writing in Early Modern

During the seventeenth century, England was beset by three epidemics of the bubonic plague, each outbreak claiming between a quarter and a third of the population of London and other urban centers. Surveying a wide range of responses to these epidemics—sermons, medical tracts, pious exhortations, satirical pamphlets, and political commentary—Plague Writing in Early Modern England brings to life the many and complex ways Londoners made sense of such unspeakable devastation.

The West in Early Cinema: After The Beginning

The Western film is inextricably tied to American culture: untamed landscapes, fiercely independent characters, and an unwavering distinction between good and evil. Yet Westerns began in the early twentieth century as far more fluid works of comedy, adventure, and historical explorations of the frontier landscape. Nanna Verhoeff examines here the earliest films made in the Western genre and proposes the thought-provoking argument that these little-studied films demand new ways of considering Westerns and the history of cinema.

Retaining the thrill and tone of oral storytelling as the written word became increasingly widespread was the charge of early English writing. Beginning in the Old English period and continuing through the Medieval and Renaissance periods, writers such as Geoffrey Chaucer and William Shakespeare began to elevate the place of literature in society. This volume details the evolution of early English literature And The enduring works that have withstood centuries of linguistic and cultural change.

Early American Women Critics provides a new history and analysis of the commentaries, written and spoken, circulated by early American women between the First and Second Great Religious Awakenings (1730s-1840s). Cima introduces readers to where, how and why women critics launched their commentaries on race, religion, gender and nation.

These stories, written between the early 1920s to the mid-1950s, reveal the fascinating progress of Nabokov's early development as they remind us that we are in the presence of a magnificent original, a genuine master. Edited by his son and translator, Dmitri Nabokov, this volume is a literary event.