The study of media language is increasingly important both for media studies and for discourse analysis and sociolinguistics. Norman Fairclough applies to media language his 'critical discourse analysis' framework which he developed in 'Language and Power' and 'Discourse and Social Life'. Drawing on examples from TV, radio and the press, he focuses on changing practices of media discourse in relation to wider processes of social and cultural change. In particular he explores the tensions between public and private in the media and the tensions between information and entertainment.
english dialects from the eighth century to the present dayThe word _dialect In old dictionaries was simply "a manner of speaking" or "phraseology," in accordance with its derivation from the Greek dialectos, a discourse or way of speaking; from the verb dialegesthai, to discourse or converse. The modern meaning is somewhat more precise, the meaning signify "a local variety of speech differing from the standard or literary language." english dialects from the eighth century to the present day presents a great account of English dialects from the old english to the modern one.
The volume explores the vast and heterogeneous territory of Political Linguistics, structuring and developing its concepts, themes and methodologies into combined and coherent Analysis of Political Discourse (APD). Dealing with an extensive and representative variety of topics and domains – political rhetoric, mediatized communication, ideology, politics of language choice, etc. – it offers uniquely systematic, theoretically grounded insights in how language is used to perform power-enforcing..
This book presents a novel conception of political freedom developed on the basis of the work of Foucault. Against the prevailing interpretations which disqualify a Foucauldian approach from the discourse of freedom, this study posits freedom as the primary axiological motif of Foucault's writing.
Katherine Snyder's study explores the significance of the bachelor narrator, a prevalent but little recognized figure in premodernist and modernist fiction by male authors, including Hawthorne, James, Conrad, Ford, and Fitzgerald. Snyder demonstrates that bachelors functioned in cultural and literary discourse as threshold figures who, by crossing the shifting, permeable boundaries of bourgeois domesticity, highlighted the limits of conventional masculinity.
