In a city of grandeur and decadence, beauty and bloodshed, two boys, best friends, dream of glory in service of the mightiest empire the world has ever known. One is the son of a senator. The other is a bastard child. As young Gaius and Marcus grow to manhood, they are trained in the art of combat—under the tutelage of one of Rome’s most fearsome gladiators.
Self-Made Man: One Woman's Journey into Manhood and Back
The disguise that former Los Angeles Times op-ed columnist Vincent employed to trick dozens of people into believing her a man was carefully thought out: a new, shorter haircut; a pair of rectangular eyeglasses; a fake five o'clock shadow; a prosthetic penis; some preppy clothes. It was more than she needed. "[A]s I became more confident in my disguise... the props I had used... became less and less important, until sometimes I didn't need them at all," Vincent writes. Gender marking, she found, is more about attitude than appearance. Vincent's account of the year and a half she spent posing as a man is peppered with such predictable observations.
I Am a Man!: Race, Manhood, and the Civil Rights Movement
I Am a Man!: Race, Manhood, and the Civil Rights Movement- the civil rights movement was first and foremost a struggle for racial equality, but questions of gender lay deeply embedded within this struggle.
Katherine Snyder's study explores the significance of the bachelor narrator, a prevalent but little recognized figure in premodernist and modernist fiction by male authors, including Hawthorne, James, Conrad, Ford, and Fitzgerald. Snyder demonstrates that bachelors functioned in cultural and literary discourse as threshold figures who, by crossing the shifting, permeable boundaries of bourgeois domesticity, highlighted the limits of conventional masculinity.
