Caroline Meeber is a runaway who is seduced on her way to Chicago by a salesman. Later she falls in love with a barkeeper who embarks on a crime spree that forces them to flee to New York where their lives are changed forever.
In the spring of 1708, an invading Jacobite fleet of French and Scottish soldiers nearly succeeded in landing the exiled James Stewart in Scotland to reclaim his crown. Now, Carrie McClelland hopes to turn that story into her next bestselling novel. Settling herself in the shadow of Slains Castle, she creates a heroine named for one of her own ancestors and starts to write. But when she discovers her novel is more fact than fiction, Carrie wonders if she might be dealing with ancestral memory, making her the only living person who knows the truth—the ultimate betrayal—that happened all those years ago, and that knowledge comes very close to destroying her...
Carrie Brooks left her home, her job, her very existence, to run away with a murder suspect, a man whose only prior introduction to her was as her kidnapper. She has no reason at all to trust him. After all, he’s the enemy—isn’t he? Felipe Salazar’s been in disguise for so long, he’s not even sure who he is anymore. But he knows two things: he’s innocent. And he’s waited all his life for someone like Carrie....
Now fans of Stephenie Meyer and Melissa Marr have a new author to devour . . . Zara collects phobias the way other high school girls collect lipsticks. Little wonder, since life's been pretty rough so far. Her father left, her stepfather just died, and her mother's pretty much checked out.
Sister Carrie, Theodore Dreiser's revolutionary first novel. The story of Carrie Meeber, an 18-year-old country girl who moves to Chicago and becomes a kept woman, was strong stuff at the turn of the century, and what Dreiser's wary publisher released was a highly expurgated version. Times change, and we now have a restored "author's cut" of Sister Carrie that shows how truly ahead of his time Dreiser was. First and foremost, he has written an astute, nonmoralizing account of a woman and her limited options in late-19th-century America.