The articles of the present volume consist of generative analyses dealing with several current topics of discussion and debate in syntactic theory, such as clitics, word order, scrambling, directionality, movement. The data in the volume are drawn from a number of typologically diverse languages (e.g. Arabic, Berber, Dutch, Gaelic, Greek, Malagasy).
Amazigh Arts in Morocco - Women Shaping Berber Identity
In southeastern Morocco, around the oasis of Tafilalet, the Ait Khabbash people weave brightly coloured carpets, embroider indigo head coverings, paint their faces with saffron, and wear ornate jewellery. Their extraordinarily detailed arts are rich in cultural symbolism; they are always breathtakingly beautiful - and they are typically made by women. Like other Amazigh (Berber) groups (but in contrast to the Arab societies of North Africa), the Ait Khabbash have entrusted their artistic responsibilities to women.
In this nuanced study of the performance of cultural identity, Jane E. Goodman travels from contemporary Kabyle Berber communities in Algeria and France to the colonial archives, identifying the products, performances, and media through which Berber identity has developed. In the 1990s, with a major Islamist insurgency underway in Algeria, Berber cultural associations created performance forms that challenged Islamist premises while critiquing their own village practices.
We Share Walls: Language, Land, and Gender in Berber Morocco explores how political economic shifts over the last century have reshaped the language practices and ideologies of women (and men) in the plains and mountains of rural Morocco.
