Writing Arguments: A Rhetoric with Readings, 10th Edition
Writing Arguments: A Rhetoric with Readings, 10/e integrates four different approaches to argument: the enthymeme as a logical structure, the classical concepts of logos, pathos, and ethos, the Toulmin system, and stasis theory. Focusing on argument as dialogue in search of solutions instead of a pro-con debate with winners and losers, it is consistently praised for teaching the critical-thinking skills needed for writing arguments. Major assignment chapters each focus on one or two classical stases (e.g. definition, resemblance, causal, evaluation, and policy).
LaunchPad for Everything’s an Argument with Readings provides engaging content and new ways to get the most out of your course. Use the interactive e-book, view a tutorial, watch a video, complete assignments, and practice your writing and argument skills.
This volume treats the connection between syntax and morphology with a focus on L2 acquisition. This interface has been a matter of considerable interest in theoretical circles ever since Chomsky (1994) and others argued that morphological parameters form the primary locus of cross-linguistic variation. As might be expected, generative theorists working in the area of language acquisition have responded to this argument with various analyses. L2 research is no exception: A variety of researchers have begun serious explorations on the ways in which morphology may (or may not) trigger variation not only in syntax, but also in argument structure.
This new edition of a timeless classic demonstrates how the use of clear, rational thinking and logic can win any argument, however emotionally charged the topic in question. It describes the typical flaws of reasoning in argument and shows how language can be used to deceive - and how to avoid being deceived. It will show you how, by learning what is 'straight', rational language,
Ewan James Jones argues that Coleridge engaged most significantly with philosophy not through systematic argument, but in verse. Jones carries this argument through a series of sustained close readings, both of canonical texts such as Christabel and The Rime of the Ancient Mariner, and also of less familiar verse, such as Limbo. Such work shows that the essential elements of poetic expression - a poem's metre, rhythm, rhyme and other such formal features - enabled Coleridge to think in an original and distinctive manner, which his systematic philosophy impeded.
