For the past forty years Noam Chomsky's writings on politics and language have established him as a preeminent public intellectual and as one of the most original and wide-ranging political and social critics of our time. Among the seminal figures in linguistic theory over the past century, since the 1960s Chomsky has also secured a place as perhaps the leading dissident voice in the United States.
The New Left and the 1960s is the third volume of Herbert Marcuse's collected papers. In 1964, Marcuse published a major study of advanced industrial society, One Dimensional Man, which was an important influence on the young radicals who formed the New Left. Marcuse embodied many of the defining political impulses of the New Left in his thought and politics - hence a younger generation of political activists looked up to him for theoretical and political guidance. The material collected in this volume provides a rich and deep grasp of the era and the role of Marcuse in the theoretical and political dramas of the day.
Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and theatre history, as an inventive response to the emergence of new technologies, and as an historical shift from a text-based culture to a new media age of image and sound.
Charles Williams (August 13, 1909 – ca. April 7, 1975) was an American writer of hardboiled crime fiction. He is regarded by critics as one of the finest suspense novelists of the 1950s and 1960s. His 1951 debut, the pulp paperback novel Hill Girl, sold over a million copies. A dozen of his books have been adapted for the screen.
Jim Morrison: Life, Death, Legend (Audiobook, MP3)
Jim Morrison epitomized the late 1960s He was the greatest American rock star and one of the most publicised celebrities of his era, but more than three decades later, his life, works and music have yet to yield all their secrets and mysteries. As lead singer of The Doors, Jim Morrison was known for his love affair with acid, his suicide mission and his attempts to release his generation from what he saw as a prison-like conformity to social and sexual norms. He called himself and his band 'erotic politicians,' and urged his huge audience, at the height of the 1960s
