This study examines the relationship between identity formation and resistance to racial and sexual oppression in a group of contemporary American novels. Authors studied include Toni Morrison and Leslie Marmon Silko.

This book reads the oeuvre of Toni Morrison — fiction, non-fiction, and other — drawing extensively from her many interviews as well as her primary texts. The author places Morrison in several literary camps, one of them that of public intellectual; another, that of scion within the publishing world. Morrison began with novels that grew naturally from her own childhood in Lorain, Ohio — The Bluest Eye and Sula — but she quickly immersed herself in a myriad of African American lives and often little-known histories.

In this volume, Tessa Roynon explores Toni Morrison's widespread engagement with ancient Greek and Roman tradition. Discussing all ten of her published novels to date, Roynon examines the ways in which classical myth, literature, history, social practice, and religious ritual make their presence felt in Morrison's writing. Combining original and detailed close readings with broader theoretical discussion, she argues that Morrison's classical allusiveness is characterized by a strategic ambivalence.

It was late fall when Sherlock Holmes received one of the most interesting, and somewhat laughable, notes in his career as a detective. It was from the lawyers Morrison, Morrison, and Dodd and was a very unusual referral of a client who had a problem with vampires.

Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. With this brilliantly imagined novel, Toni Morrison transfigures the coming-of-age story as audaciously as Saul Bellow or Gabriel Garc?a M?rquez. As she follows Milkman from his rustbelt city to the place of his family’s origins, Morrison introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized black world.