This valuable study offers new insights and contextualization regarding the relation of nationalism to modernism. Hinojosa shows how many writers and critics in the late nineteenth and early twentieth centuries, using Renaissance historiography as a model, produced cultural, art, and literary history to promote two often-competing goals: national culture and modernist culture. Reading authors such as Ruskin, Symonds, Arnold, Pater, Fry, Berenson, Hulme, Pound, and Saintsbury alongside relevant archival and periodical literature, Hinojosa reveals the structures of modernist historiography, high and low culture, and historical periodization.
This is the first book to examine the working world of the playwright in nineteenth-century Britain. It was often a risky and financially uncertain profession, yet the magic of the theater attracted authors from widely different backgrounds--journalists, lawyers, churchmen, civil servants, printers, and actors, as well as prominent poets and novelists. In a fascinating account of the frustrations and the rewards of dramatic authorship, Stephens uncovers fresh information on the playwright's earnings, relationships with actors, managers, publishers, and audience, and offers a new perspective on his growing status as a professional.
A surprisingly large number of English poets have either belonged to a secret society, or been strongly influenced by its tenets. One of the best known examples is Christopher Smart’s membership of the Freemasons, and the resulting influence of Masonic doctrines on A Song to David. However, many other poets have belonged to, or been influenced by not only the Freemasons, but the Rosicrucians, Gormogons and Hell-Fire Clubs.
'The School of Life offers radical ways to help us raid the treasure trove of human knowledge' Independent on Sunday Born in 1788, Lord Byron was an English poet and a leading figure of the Romantic movement. A prodigious poetic gift and a scandalous private life made him famous throughout Europe, and his masterpiece, Don Juan, became the biggest-selling work of the period. He remains one of the most provocative, seductive voices of world literature.
Jenny Davidson demonstrates how the arguments that define hypocrisy as a moral and political virtue thrived in eighteenth-century Britain's culture of politeness. However, Davidson also concludes that eighteenth-century writers from Locke to Austen believed that the public practice of vice was far more dangerous for society than discrepancies between what people say and what they do in private.
