This book focusses on computer methodologies as a way of investigating language and character in literary texts. Both theoretical and practical, it surveys investigations into characterization in literary linguistics and personality in social psychology, before carrying out a computational analysis of Virginia Woolf’s experimental novel The Waves.
The first multi-volume history of the American theater to have been published, The Cambridge History of American Theatre is an authoritative and wide-ranging history of American theater in all its dimensions. It recognizes changing styles of presentation and performance, and addresses the economic context that conditions the drama presented. Volume One brings together the work of ten major authorities on American theater and drama. Like each of the three volumes, Volume One includes an extensive overview and timeline followed by chapters on specific aspects of American theater up to c. 1870.
Volume Two begins in the post-Civil War period and traces the development of American theater up to 1945. It discusses the role of vaudeville, European influences, the rise of the Little Theater movement, changing audiences, modernism, the Federal Theater movement, major actors and the rise of the star system, and the achievements of notable playwrights. This volume places American theater in its social, economic, and political context.
Volume 3 of this authoritative and wide-ranging history of American theater examines the theater after World War II, through Broadway and beyond, as well as regional theater across the country. Contributors also analyze new directions in theater design, directing, and acting, as well as key plays and playwrights through the 1990s.
This Companion offers the most comprehensive overview available of modernist poetry, its forms, its major authors and its contexts. The first part explores the historical and cultural contexts and sexual politics of literary modernism and the avant garde. The chapters in the second part concentrate on individual authors and movements, while the concluding part offers a comprehensive overview of the early reception and subsequent canonisation of modernist poetry.