Poetry and Poetics

Explaining how poetry arises, where its traditions come from, and how English poetry eventually developed, as an independent body of literature on its own. The text is arranged in two parts: the first is about traditional poetic origins and formulae, especially from the past; and the second is about the use of poetic language, tools and devices, leading up to the more recent present. The first section gives a historical scan or overview; the second part goes into closer observation and analysis of the art of poetry in an attempt to lead the reader into developing a critical ability to see the difference between what is merely good and what is truly excellent.

Romantic Poetry And The Fragmentary Imperative: Schlegel, Byron, Joyce, Blanchot

Romantic Poetry and the Fragmentary Imperative locates Byron (and, to a lesser extent, Joyce) within a genealogy of romantic poetry understood not so much as imaginative selfexpression or ideological case study but rather as what the German romantics call "romantische poesie"an experimental form of poetry loosely based on the fragmentary flexibility and acute critical selfconsciousness of Socratic dialogue.

The Sound of Poetry / The Poetry of Sound

Sound, one of the central elements of poetry, finds itself all but ignored in the current discourse on lyric forms. The essays collected here by Marjorie Perloff and Craig Dworkin break that critical silence to readdress some of the fundamental connections between poetry and sound connections that go far beyond traditional metrical studies.

The Giant Book of Poetry

The Giant Book of Poetry is an illustrated anthology of over 575 poems, more than 750 pages and over 60 illustrations representing ancient, classical, modern, and contemporary time periods along with a good selection of English translations of world poets. Footnotes include notes on form, definitions for unusual words, and hints on interpretation.

The Royal Road to Fotheringhay - The Story of Mary Queen of Scots

Mary Stuart became Queen of Scotland at the tender age of six days old. Her French-born mother, the Queen Regent, knew immediately that the infant queen would be a vulnerable pawn in the power struggle between Scotland’s clans and nobles. So Mary was sent away from the land of her birth and raised in the sophisticated and glittering court of France. Unusually tall and slim, a writer of music and poetry, Mary was celebrated throughout Europe for her beauty and intellect.