What are we talking about when we qualify something as sublime? Is it just a qualification of the beautiful in its most touching degree? Is it a qualification of something ouside there anyway? Is it a feeling or a reflecting judgment on aesthetic appreciation? And can we reduce the sublime to the aesthetic? The authors of this book all take the analysis of Kant in Critique of the Power of Judgment"" as their primary reference.
There has been an intensive debate in recent years, particularly in political philosophy, on how the concept of recognition ( Anerkennung) can bring insight into understanding social and political relationships and answering ethical questions. Proponents of this philosophy seek to apply German Idealism, especially Hegel, to the arguments of recognition in order to solve contemporary problems.
German Idealism as Constructivism is the culmination of many years of research by distinguished philosopher Tom Rockmore—it is his definitive statement on the debate about German idealism between proponents of representationalism and those of constructivism that still plagues our grasp of the history of German idealism and the whole epistemological project today. Rockmore argues that German idealism—which includes iconic thinkers such as Kant, Fichte, Schelling, and Hegel—can best be understood as a constructivist project, one that asserts that we cannot know the mind-independent world as it is but only our own mental construction of it.
The ‘death’ of German Idealism has been decried innumerable times since its revolutionary inception, whether it be by the 19th-century critique of Western metaphysics, phenomenology, contemporary French philosophy, or analytic philosophy. Yet in the face of two hundred years of sustained, extremely rigorous attempts to leave behind its legacy, German Idealism has resisted its philosophical death sentence. For this exact reason it is timely ask: What remains of German Idealism? In what ways does its fundamental concepts and texts still speak to us?
Essayist, poet, and philosopher, Ralph Waldo Emerson (1803–1882) propounded a transcendental idealism emphasizing self-reliance, self-culture, and individual expression. The six essays and one address included in this volume, selected from Essays, First Series (1841) and Essays, Second Series (1844), offer a representative sampling of his views outlining that moral idealism as well as a hint of the later skepticism that colored his thought. In addition to the celebrated title essay, the others included here are "History," "Friendship," "The Over-Soul," "The Poet," and "Experience," plus the well-known and frequently read Harvard Divinity School Address.
