The Tempest has long dazzled readers and audiences with its intricate blend of magic, music, humour, intrigue and tenderness, its vibrant but ambiguous central characters. As Virginia and Alden Vaughan show, in their wide-ranging new edition of this established favourite, such antithetical extremes exemplify the play’s endlessly arguable nature, its appeal to diverse eras and cultures.
Every linguistic theory has to come to grips with a fundamental property of human language: the existence of exceptions, i.e. phenomena that do not follow the standard patterns one observes otherwise. The contributions to this volume discuss and exemplify a variety of approaches to exceptionality within different formal and non-formal frameworks.
