Until recently, popular biographers and most scholars viewed Alexander the Great as a genius with a plan, a romantic figure pursuing his vision of a united world. His dream was at times characterized as a benevolent interest in the brotherhood of man, sometimes as a brute interest in the exercise of power. Green, a Cambridge-trained classicist who is also a novelist, portrays Alexander as both a complex personality and a single-minded general, a man capable of such diverse expediencies as patricide or the massacre of civilians.
This exploration of the wide variety of censorship that has shaped theatrical performance in twentieth and twenty-first century Britain examines the unpredictable outcomes of censorship, deep-seated anxieties about the performative influence of the stage, and the complex questions raised by acts of theatrical censorship.
"The novel is steeped in complex personality studies, lyrical prose, and richly drawn depictions of Mr. Burke's beloved bayou country." (The New York Times) "With peerless naturalistic descriptions and lush, metaphysical imagery, Burke creates another challenging morality play for his flawed, everyman hero." (Publishers Weekly) "Everything that makes this series so compelling - the elegiac, seductively lyrical prose; the complex character of Robicheaux; the lovingly evoked bayou setting - is here in abundance....The fact remains that no serious reader of hard-boiled fiction should ever miss a moment of Dave Robicheaux in action." (Booklist)
Tourism is much more than an economic sector, it is also a social, cultural, political, and environmental force that drives societal change. Understanding, responding to, and managing this change will inevitably require knowledge workers who are able to address a range of problems associated with tourism, travel, hospitality, and the increasingly complex operating environment within which they exist.
