In The Hours, Michael Cunningham, widely praised as one of the most gifted writers of his generation, draws inventively on the life and work of Virginia Woolf to tell the story of a group of contemporary characters struggling with the conflicting claims of love and inheritance, hope and despair. The narrative of Woolf's last days before her suicide early in World War II counterpoints the fictional stories of Richard, a famous poet whose life has been shadowed by his talented and troubled mother, and his lifelong friend Clarissa, who strives to forge a balanced and rewarding life in spite of the demands of friends, lovers, and family.
One of the most famous of all literary dogs, Flush was the golden cocker spaniel belonging to Elizabeth Barrett. In this charming and heartfelt biography, Virginia Woolf tells his story: his early days as Miss Mitford's puppy running across the fields in wild abandon and fathering another, the years spent in his invalid mistress' bedroom in Wimpole Street, the terror of his kidnap by a Whitechapel gang, the excitement of Miss Barrett's relationship with Robert Browning, and a subsequent very different and much happier life in Italy.
The British essayist and author Virginia Woolf was born into publishing, and her writings problematized the condition of the woman in a male-dominated society. With a close group of fellow writers, she developed a new, more personal way of telling stories, and she became a leader in the literary revolution that followed World War I.
Virginia Woolf’s essay “The Death of the Moth” is a piece that is effective in conveying her ideas through the use of language. By using the moth as a metaphor for humans, she shows that the way the moth lives its life is a model for human life.
Criticism of Woolf is often polarised into viewing her work as either fundamentally progressive or reactionary. In Virginia Woolf and the Victorians, Steve Ellis argues that her commitment to yet anxiety about modernity coexists with a nostalgia and respect for aspects of Victorian culture threatened by radical social change. Ellis tracks Woolf's response to the Victorian era through her fiction and other writings, arguing that Woolf can be seen as more 'Post-Victorian' than 'modernist'.