The Road to Serfdom is a book written by the Austrian-born economist and philosopher Friedrich von Hayek (1899–1992) between 1940–1943, in which he ”warned of the danger of tyranny that inevitably results from government control of economic decision-making through central planning,”[1] and in which he argues that the abandonment of individualism, liberalism, and freedom inevitably leads to socialist or fascist oppression and tyranny and the serfdom of the individual.
The climate of the Earth is always changing. In the past it has altered as a result of natural causes. Nowadays, however, the term climate change is generally used when referring to changes in our climate which have been identified since the early part of the 1900's. The changes we've seen over recent years and those which are predicted over the next 80 years are thought to be mainly as a result of human behaviour rather than due to natural changes in the atmosphere.
Here is a collection of strikingly different pieces by Flaubert: a prose poem in the voices of Death, Satan and Nero; the trials and apotheosis of a medieval saint; and the life of a selfless maid in 19th century France. Each exhibits the vigorous exactness, and the mixture of realism and romanticism, for which Flaubert is renowned. The Dance of Death The Legend of Saint-Julian the Hospitaller A Simple Soul
The correspondence of George Sand and Gustave Flaubert, if approached merely as a chapter in the biographies of these heroes of nineteenth century letters, is sufficiently rewarding. In a relationship extending over twelve years, including the trying period of the Franco-Prussian War and the Commune, these extraordinary personalities disclose the aspects of their diverse natures which are best worth the remembrance of posterity. However her passionate and erratic youth may have captivated our grandfathers, George Sand in the mellow autumn of her life is for us at her most attractive phase.
Bouvard et Pécuchet is an unfinished satirical work by Gustave Flaubert, published in 1881 after his death in 1880. Although conceived in 1863 as Les Deux Cloportes ("The Two Woodlice"), and partially inspired by a short story of Barthélemy Maurice (Les Deux Greffiers, "The Two Court Clerks", which appeared in La Revue des Tribunaux in 1841 and which he may have read in 1858), Flaubert did not begin the work in earnest until 1872, at a time when financial ruin threatened. Over time, the book obsessed him to the degree that he claimed to have read over 1500 books in preparation for writing it—he intended it to be his masterpiece, surpassing all of his other works.
