Think of Timequake, Kurt Vonnegut's 19th and last novel (or so he says), as a victory lap. It's a confident final trot 'round the track by one of the greats of postwar American literature. After 40 years of practice, Vonnegut's got his schtick down cold, and it's a pleasure--if a slightly tame one--to watch him go through his paces one more time. Timequake's a mongrel; it is half novel, half memoir, the project of a decade's worth of writer's block, a book "that didn't want to be written.
With a career spanning 50 years, Kurt Vonnegut is one of the most prolific and popular American writers of the 20th century. Though his works have often met with mixed reviews, and have been difficult to categorize, his status of cultural icon and one of the most important contemporary novelists is well established. This critical companion, perfect for students, skillfully guides readers through seven of Vonnegut's most important novels including Player Piano (1952), Mother Night (1961), Cat's Cradle (1963), and Slaughterhouse Five (1969).
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Kurt Vonnegut's absurdist classic Slaughterhouse-Five introduces us to Billy Pilgrim, a man who becomes 'unstuck in time' after he is abducted by aliens from the planet Tralfamadore. In a plot-scrambling display of virtuosity, we follow Pilgrim simultaneously through all phases of his life, concentrating on his (and Vonnegut's) shattering experience as an American prisoner of war who witnesses the firebombing of Dresden.
Slaughterhouse-Five is not only Vonnegut's most powerful book, it is also as important as any written since 1945. Like Catch-22, it fashions the author's experiences in the Second World War into an eloquent and deeply funny plea against butchery in the service of authority. Slaughterhouse-Five boasts the same imagination, humanity, and gleeful appreciation of the absurd found in Vonnegut's other works, but the book's basis in rock-hard, tragic fact gives it unique poignancy -- and humor.
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Slaughterhouse Five 
